Kurashiki Museum of Folkcraft: Sturdy, beautiful folkcraft from around the world and across the ages, made for everyday use.

Kurashiki Museum of Folkcraft

Interview

We spoke with a curator at the Kurashiki Museum of Folkcraft.

This interview was conducted during our first visit in May 2019.

Kurashiki Museum of Folkcraft stool

What is the “beauty of utility” in folkcraft?

Take everyday tableware, for example. If it has elaborate decorations, it is difficult to wash and dirt tends to build up.

By contrast, simple, unadorned forms are easy to use, and food looks delicious when served in them. This is the beauty we mean.

For example, baskets.

The base of the handle is reinforced, but the weave also forms a pattern, making it beautiful.

Care has been taken with the details, and it is lovely.

Swiss handbasket, in the collection of the Kurashiki Museum of Folkcraft
Swiss handbasket, in the collection of the Kurashiki Museum of Folkcraft. Photo courtesy of the Kurashiki Museum of Folkcraft

Can you see how the bottom of the basket in the photo above is divided into two?

If the bottom were a single circle, the contents would shift toward the center. This shape distributes the weight.

I think the idea of “beauty of utility” also includes the notion that because these things can be used comfortably every day, we grow attached to them; and that, beyond the beauty of their form, using them brings beauty into our lives.

Is there anything you pay particular attention to in the way you display the items?

Kurashiki Museum of Folkcraft

We deliberately limit the explanatory text because we want visitors to look closely at the objects themselves. When there is a lot of text, your eyes tend to follow the words.

Kurashiki Glass is displayed where natural light comes in, so its beauty is easy to appreciate.

Kurashiki Museum of Folkcraft Kurashiki Glass

We also arrange the displays so that the space feels harmonious, rather than grouping items by period, region, or use.

I did feel that, even with tools from different countries and eras displayed together, everything seemed to fit.

View from a window at the Kurashiki Museum of Folkcraft

What are your personal recommendations at the Kurashiki Museum of Folkcraft?

On sunny days, the breeze coming in through the windows feels lovely, and rainy days are nice too.

When it rains, the black roof tiles become even darker, making the contrast between the white walls and tiles stand out. The resulting subdued look is beautiful.

At the Kurashiki Museum of Folkcraft, visitors can sit on chairs and stools from the collection. You might enjoy finding a favorite spot and spending some time relaxing.

Shop at the Kurashiki Museum of Folkcraft

How can people enjoy folkcraft?

I think the best way to understand the appeal of folkcraft is to use it.

As you wash and use tableware, for example, it develops a sheen, and you may find yourself growing attached to it.

Folkcraft items are sold in the shop, so I hope you’ll find something you like, take it home, and use it.

Could you tell us about the Kurashiki Museum of Folkcraft’s mission?

The role of the Kurashiki Museum of Folkcraft

The first director, Tonoura, wrote the following on a hanging scroll:

The role of a folkcraft museum is to spread “a beautiful life” that anyone can lead at any time.

Tonoura supported a variety of folkcraft makers by guiding and designing the production of glass, washi paper, textiles, and flower mats, among other things.

We uphold and carry on Tonoura’s ideas, and also support makers by holding events where their work is exhibited and sold.

Even today, Kurashiki is home to places that exhibit folkcraft, makers, and distributors (retailers), all of whom are actively engaged in their work.

Kurashiki Museum of Folkcraft bowl
Bowl designed by Tonoura Kichinosuke

We hope the Kurashiki Museum of Folkcraft will be a place where visitors can not only feel a sense of nostalgia, but also appreciate the beauty of handcraft.

From the Writer

Kurashiki Museum of Folkcraft basket

Folkcraft is part of everyday life.

The writer uses folkcraft tableware and vases at home. To be honest, I’m not good at cooking, but since buying folkcraft tableware I love, I’ve found that my daily kitchen chores have become a little more enjoyable.

Handcrafted items have a warmth of their own and feel good to use. I feel that having such dependable tools enriches everyday life.

I also felt the curator’s desire to share the appeal of folkcraft, as well as the passion of the Kurashiki Museum of Folkcraft, which has supported makers.

Please visit the Kurashiki Museum of Folkcraft, experience the appeal of folkcraft, and try incorporating it into your life.

Kurashiki Museum of Folkcraft Information

Kurashiki Museum of Folkcraft
NameKurashiki Museum of Folkcraft
Address1-4-11 Chuo, Kurashiki City, Okayama Prefecture
Contact086-422-1637
ParkingNone
Opening hours10:00 a.m.–5:00 p.m. (admission until 4:30 p.m.)
ClosedMondays
If Monday is a public holiday, the following day
Year-end and New Year holidays (December 29–January 1)
Admission (tax included)Adults: ¥1,200
High school and university students: ¥500
Elementary and junior high school students: ¥300
*Group rates available for groups of 20 or more
Payment methods
  • Cash
ReservationsAvailable
Reservations accepted for groups only
SmokingEntirely smoke-free
RestroomsWestern-style toilets
Child-rearingDiscount available upon presentation of a Momokko Card
WebsiteKurashiki Museum of Folkcraft Official Website

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Citizen writer who wrote this article
Yoshino Nako
Yoshino Nako

A designer raised in Kurashiki who loves photography and travel.
I’ll share the exciting things and wonderful places in Kurashiki!

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