An Experimental Tour to Experience Kurashiki Folk Crafts in an Immersive Way — Embark on a Memorable Journey Focused on Kurashiki Folk Crafts

Group Photo_Takahashi River Travel

Is your idea of a group tour getting on a bus and being taken around efficiently to famous sights by a tour guide?

Group tours may bring to mind trips to well-known places, but a company offering a completely different style of travel, Yoshiiya BASE Inc., has been established in Kurashiki City.

It is a travel company that plans and operates tours incorporating experiences and opportunities to exchange with local people, including “TAKAHASHIGAWA TRAVEL.”

The first tour focused on folkcraft.

I was invited to a monitor tour that deliberately spotlighted a niche field, the “Super Experiential Tour to Feel Kurashiki Folkcraft,” and took part.

Here’s a detailed look at what the tour included.

The information presented here is current as of the article’s publication in May 2023. Please note that it may differ from current information.

Features of TAKAHASHIGAWA TRAVEL

TAKAHASHIGAWA TRAVEL has unique features not found at other travel companies.

Here are three features that set it apart.

  • Destinations are mainly in the Takahashi River Basin
  • Target audience is international travelers
  • Exchange with local people and fellow participants, and experience the area with all five senses

The Takahashi River Basin is an area that includes Kurashiki City, Soja City, Hayashima Town, Asakuchi City, Satosho Town, Kasaoka City, Yakage Town, Ibara City, Takahashi City, and Niimi City.

With licensed guides on hand, international travelers who do not understand Japanese can participate with peace of mind.

The fact that it is a locally focused travel service for international visitors alone sets it apart from other companies.

Bikan Historical Area

▼It also stands out in the details that make it special.

  • Runs tours themed around the Takahashi River
  • Helps participants experience the story behind each tour
  • Helps participants appreciate the guides and interpreters themselves as part of the appeal

The first tour, held in November 2022, was themed around folkcraft.

Tour participants
Tour participants

▼Tour itinerary

TimeTour activity
9:30 a.m.Meet at Ohara House Katalyzer
10:00 a.m.Talk by Mr. Yamamoto, owner of Toworu Mingei
10:30 a.m.Guided tour of Kurashiki Museum of Folkcraft
11:15 a.m.Head to Koshoryo while enjoying the streets of Kurashiki
11:40 a.m.Choose folkcraft tableware
NoonMake sushi rolls and enjoy eating them
2:00 p.m.Visit Teshigoto no Mise Kurashiki Mingei and Toworu Mingei

Before we get into the tour, let’s meet the guides.

The tour guides

Here are the people involved in the first tour.

Hara Hiroyuki of Yoshiiya BASE Inc. works to revitalize the local community, including by running the cafe “Hoshi no Hikari no Sumiwatar i.”

Hara Hiroyuki
Hara Hiroyuki

In his opening remarks, he encouraged participants to “enjoy the tour and experience the story that is unique to TAKAHASHIGAWA TRAVEL.”

The tour coordinator who keeps everything running smoothly is Oura Shota.

Here is a summary of Oura’s comments in the tour brochure.

Beautiful scenery and food at photogenic restaurants are easy to find online and in travel magazines. Cultural content, on the other hand, often struggles to get into the spotlight. These tours delve deeply into what makes the guides special, making them memorable.

Oura Shota
Oura Shota

By shining a spotlight on a niche field, the tour becomes something unique and memorable.

Instructor Yamamoto Takanori explained folkcraft in an easy-to-understand way, even for beginners.

Yamamoto is the second-generation owner of Toworu Mingei, a long-established folkcraft shop in the Bikan Historical Area.

Yamamoto Takanori
Yamamoto Takanori

Hara Naoko taught the sushi-roll-making session.

Apparently, when her daughter was a student, Hara used to make sushi rolls for her to take in her lunchbox.

She taught participants how to make sushi rolls, a dish tied to that memory.

Hara Naoko is on the left
Hara Naoko is on the left

The interpreter was licensed guide Sensaki Yuko.

She translated even the more complex explanations of folkcraft into clear English.

It is an important role, connecting the instructors and participants.

Sensaki’s cheerful manner and careful English helped participants who had just met feel at ease.

Sensaki Yuko
Sensaki Yuko

Tour itinerary

The approximately five-hour tour was packed with activities and left a lasting impression.

Even though I’m from Kurashiki, this was my first time exploring the Bikan Historical Area with a focus on folkcraft.

Here’s the tour itinerary in chronological order.

Learn about folkcraft at Ohara House Katalyzer

The journey began at Ohara House Katalyzer.

We learned about folkcraft from Yamamoto at the book cafe on the grounds.

Ohara House Katalyzer_TAKAHASHIGAWA TRAVEL

Here’s a brief summary of Yamamoto’s explanation.

The thinker Yanagi Muneyoshi introduced folkcraft to Japan.

He first encountered folkcraft when he saw a vessel brought back as a souvenir from Korea.

Participants listening intently to Yamamoto’s explanation
Participants listening intently to Yamamoto’s explanation

Although its maker was unknown, he was struck by the white vessel, made using cutting-edge techniques.

He wondered whether similar things could be found in Japan, and began traveling around the country.

In the places he visited, he came across tools and wooden statues that were not considered special at all by their users and were simply left lying around.

Yanagi, however, believed that they embodied a beauty born of everyday life and were valuable.

The Kurashiki Museum of Folkcraft houses the folkcraft items Yanagi collected from across Japan.

A wooden statue that had reportedly been left casually in a home. It is now on display at the Kurashiki Museum of Folkcraft
A wooden statue that had reportedly been left casually in a home. It is now on display at the Kurashiki Museum of Folkcraft

After hearing Yamamoto’s explanation, the mystery of why Kurashiki folkcraft was featured on the tour was solved.

After Yamamoto also gave a lecture on the appeal of folkcraft items, the group headed to the Kurashiki Museum of Folkcraft.

Ohara House Katalyzer (former Ohara family residence) — a home packed with the beauty of Kurashiki

Experience folkcraft at the Kurashiki Museum of Folkcraft

Opened in 1948 as Japan’s second folkcraft museum, the Kurashiki Museum of Folkcraft

makes use of a rice storehouse dating from the late Edo period.

Kurashiki Museum of Folkcraft

Upon entering the museum, we found folkcraft items from Okayama on display in the first room.

Some are still in use today, while others have disappeared from everyday life.

Kurashiki knotting. You can still see these today
Kurashiki knotting. You can still see these today

Photography is normally prohibited inside the Kurashiki Museum of Folkcraft. We were granted special permission to take photographs this time.

The exhibits made us realize just how completely our lifestyles have changed.

As we looked around, Yamamoto offered explanations at various points.

Speaking about the beautiful sashiko clothing, Yamamoto said, “The patterns were added not to make the clothes fashionable, but to strengthen the fabric. But the result was a beautiful finish.”

Since these folkcraft items were made for family rather than for sale, and designed to last and be practical, durability seems to have been essential.

Aesthetic design was not the goal, yet the finished pieces were beautiful.

Through Yamamoto’s explanations and our own observations, we were impressed by people’s ingenuity and realized how important it is to notice the beauty hidden in everyday objects.

Basket_Takahashi River Travel

The Kurashiki Museum of Folkcraft also has folkcraft items from overseas.

Looking at a chair whose corners had been rounded through years of use, we could tell that its owner had taken good care of it.

Chair_Takahashi River Travel

I felt that imagining what an unknown craftsperson had in mind when making an item, and how its owner treated it, helped me connect more deeply with folkcraft.

Kurashiki Museum of Folkcraft — Folkcraft from Japan and around the world, beautiful and durable items used in everyday life

Making sushi rolls and using folkcraft tableware

After experiencing folkcraft, it was time to make sushi rolls.

I photographed the foreign participants as they made sushi rolls.

With instructor Hara Naoko’s guidance, the participants took on the challenge of making sushi rolls for the first time.

Hara Naoko_Takahashi River Travel

They seemed to be struggling to spread the vinegared rice over the nori.

Some participants couldn’t handle the rice paddle well and spread the rice by pressing it with their hands.

The rice was squashed, but the person seemed to be having fun.

Sushi-making experience_Takahashi River Travel

Once they had cut the sushi rolls, they chose their favorite folkcraft plates and arranged the pieces on them.

The plates’ shapes and colors and the ways the sushi rolls were arranged all differed, bringing out each person’s individuality.

Sushi rolls made by the participants
Sushi rolls made by the participants

Even if the shape is a little uneven, sushi rolls made with care taste delicious.

Comparing their rolls with the person next to them and praising one another, the group enjoyed a fun meal together.

Sushi roll-making experience_Takahashi River Travel

Buy folkcraft items at folkcraft shops

After the meal, we visited two folkcraft shops.

Our first stop was Teshigoto no Mise Kurashiki Mingei.

It mainly sells folkcraft items made of wood and bamboo.

Kurashiki Mingei

Unlike the exhibits at the Kurashiki Museum of Folkcraft, these were all items for everyday use, such as chopsticks, wooden bowls, and wooden spatulas.

The folkcraft items suddenly felt much more familiar.

Kurashiki Mingei_Takahashi River Travel

Our second stop was Toworu Mingei, the shop owned by our instructor, Yamamoto.

This shop also sells glassware and pottery.

Toworu Mingei_Takahashi River Travel

The lighting was kept to a minimum, making use of natural light, much like at the Kurashiki Museum of Folkcraft.

Yamamoto explained that the exhibits at the Kurashiki Museum of Folkcraft are displayed without spotlights, making use of natural light, “so their appearance changes depending on the time of day and the weather.”

Just like the Kurashiki Museum of Folkcraft, the appearance of items at Toworu Mingei must change depending on the time of day and the weather.

Toworu Mingei_Takahashi River Travel

It was a shop with an artistic sensibility, almost like a folkcraft store.

Teshigoto no Mise Kurashiki Mingei ~ A shop in Hondori Shopping Street sharing Japanese culture and daily life through tools

From the Writer

The tour, which focused on folkcraft and lasted about five hours, was packed with experiences, from seeing things firsthand to tasting local food.

There was also time for participants to connect with one another, and, as Oura put it, the experience was memorable.

I’ve explored the Bikan Historical Area countless times, but I’d never looked at the town from the perspective of folkcraft.

For me, it was a chance to discover a new side of Kurashiki, though it had been there all along—I simply hadn’t noticed it.

Kurashiki Museum of Folkcraft_Takahashi River Travel

TAKAHASHIGAWA TRAVEL delves into aspects that even locals may not have noticed, introducing them through experiences and exchange.

I’m looking forward to seeing what kinds of tours they offer in the future.

TAKAHASHIGAWA TRAVEL Information

Group photo_TAKAHASHIGAWA TRAVEL
NameTAKAHASHIGAWA TRAVEL
LocationKurashiki City, Okayama Prefecture
Participation fee (tax included)Varies by tour
WebsiteTAKAHASHIGAWA TRAVEL

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Citizen writer who wrote this article
Kurashiki Sodachi
Kurashiki Sodachi

I live in Kurashiki City and grew up freely in Kurashiki City. I love eating and am a big foodie. I can’t sit still at home, so I often head out on a whim to look for delicious food.
I consider it my mission to increase the number of people who think, “I love Kurashiki” or “Maybe I’ll go to Kurashiki.”

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