“Kurashiki Community Center” as a Building ~ A Public Facility That Blends into the Streetscape in the Heart of the Bikan Historical Area (Kurashiki Architecture Journey Vol. 3)

Kurashiki Community Center

“Hexagons” and “octagons” everywhere

As I looked around the building, something caught my attention.

There were “hexagons” and “octagons” everywhere.

Entrances to restrooms and other areas
Entrances to restrooms and other areas
Entrance to the director’s office on the second floor
Entrance to the director’s office on the second floor
Ceiling
Ceiling
Skylight
Skylight
Atrium
Atrium
Ceiling of Meeting Room 3
Ceiling of Meeting Room 3
Ceiling of Meeting Room 4
Ceiling of Meeting Room 4
Window frame
Window frame
Stained glass
Stained glass

They were everywhere. I had seen this design somewhere before.

Kurashiki Kokusai Hotel

Kurashiki Kokusai Hotel.

The hotel features “hexagons,” but the designer was the same, Urabe Shizutaro, and the atmosphere is similar, isn’t it?

When I asked someone at Urabe Design about this, they said, “Perhaps he liked octagons, or perhaps they resulted from ‘chamfering a square’.”

Kurashiki Kokusai Hotel as architecture: A hotel in harmony with the Bikan Historical Area, where Ohara Soichiro’s concept lives on today (Kurashiki Architecture Travel Vol. 2)

The “director’s office” is used as a meeting room and dressing room

Kurashiki Community Center has a “director’s office.”

Entrance to the director’s office on the second floor
Entrance to the director’s office on the second floor
Director’s office
Director’s office

When it first opened as the Kurashiki Cultural Center, the room was used as the director’s office.

However, staffing was later reduced, and to improve operational efficiency, all staff moved to the first-floor office, so the room is now used partly as a meeting room and dressing room.

Director’s office
Director’s office

Because seating in the lobby, meeting rooms, and other areas has been reduced as a COVID-19 precaution, chairs are being stored in the director’s office.

The luxurious interior, including the chandelier, evokes memories of its days as the director’s office.

Chandelier
Chandelier

The 387-seat “Main Hall,” a venue for citizens to present their activities

Main Hall
Main Hall

The Main Hall normally accommodates 387 people.

To prevent the spread of COVID-19, some seats are currently unavailable, and the hall is operating with a reduced capacity.

It continues to serve as a somewhat larger stage for citizens’ activities, such as piano recitals.

Main Hall entrance
Main Hall entrance
Side view
Side view
Main Hall, first-floor seating
Main Hall, first-floor seating
Stage wing
Stage wing
Door for bringing in stage props from outside (exterior)
Door for bringing in stage props from outside (exterior)
Dressing room
Dressing room
“Meiji Centennial Commemorative Symbol” in the Main Hall’s second-floor seating
“Meiji Centennial Commemorative Symbol” in the Main Hall’s second-floor seating

Details such as the brass handrails grow more beautiful with the passage of time.

Brass handrail
Brass handrail
View of the stage from the Main Hall’s second-floor seating
View of the stage from the Main Hall’s second-floor seating
Main Hall
Main Hall
Main Hall lighting
Main Hall lighting

Ohara Soichiro’s Dream: “Music Library”

Music Library
Music Library

The last place we’ll introduce is the “Music Library.”

Around 2,000 SP records from the Ohara Collection have been donated, and LP records, laser discs, CDs, and other items have been added over time. Today, anyone can listen to them, including tourists as well as Kurashiki City residents.

The phonographs Chinni 2P and Victrola 8-60, which Ohara Soichiro used during his lifetime, were also donated later, so you can still listen to the same music that captivated Soichiro.

Left: Victrola 8-60; right: Chinni 2P
Left: Victrola 8-60; right: Chinni 2P

If you’d like to listen, please ask a staff member for assistance.

Music Library: Enjoy classical music with 4,000 SP records and phonographs. A space where Ohara Soichiro’s “dream” lives on today

From the Writer

Kurashiki Community Center

When asked what makes the Bikan Historical Area so appealing, I used to answer, “its traditional streetscape.”

But my answer has changed a little. Now I say, “It’s a place where people live, and old and new exist in harmony.”

There is a community center used by local residents right in the heart of a tourist destination, and it is still in use.

Kurashiki Community Center is relatively new compared with other buildings in the Bikan Historical Area, but I find its appeal lies in how naturally it stands there, seeming neither old-fashioned nor new.

Generally, people use it for “rental rooms” such as meeting rooms, or to use the restroom. But if you take a moment to consider why it is here, you may see it in a different light.

Take a closer look at Kurashiki Community Center as a building, and be sure to visit.

With thanks to

Kurashiki Architecture Travelogue: Previous Articles

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Citizen writer who wrote this article
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Toi Kengo

Born in 1979, lives in Kurashiki City
Father of two

While working as a systems engineer, he also takes on various projects, including running a blog and organizing events.

He currently serves as the representative director of Haretoco General Incorporated Association, which operates this media outlet, while also working as a freelancer.

His motto is to enjoy the Bikan Historical Area himself while sharing information that makes people think, “I want to visit.”

The team works together to run this site so that it can become a trusted web media outlet.

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