Modern Architecture in Kurashiki Seen from the Outside: Visiting the Architecture of Shintaro Urabe, Designed to “Harmonize” with the Traditional Townscape

Modern Architecture in Kurashiki Seen from the Outside

What comes to mind when you hear Bikan Historical Area?

Probably “traditional townscape” is the most common answer.

Bikan Historical Area is a place where people live and do business while preserving the traditional townscape for the present day.

However, townscapes that had been commonplace throughout Japan before the war gradually disappeared as the period of rapid economic growth began.

In 1968, at the height of the period of rapid economic growth, Kurashiki was among the first in Japan to enact the “Kurashiki City Traditional Scenic Beauty Preservation Ordinance.”

The city chose to preserve this townscape.

So, if you ask whether Bikan Historical Area, whose townscape is mainly from the Edo period, has “only wooden buildings and no modern architecture,” the answer is no.

An architect from Kurashiki, who had considered how to create buildings that harmonize with traditional architecture, played an important role.

The architect’s name was Urabe Shizutaro.

As an architect, he supported Ohara Soichiro’s vision for urban development in Kurashiki and left behind many works, including buildings associated with the Ohara family and Kurashiki.

This article focuses on the keyword “Urabe Shizutaro” to introduce modern architecture in Kurashiki.

The information presented was current when this article was published in April 2021. Please note that it may differ from current information.

Who Was Urabe Shizutaro?

Urabe Shizutaro
Image courtesy of: Urabe Design

Born in Kurashiki, Urabe Shizutaro joined Kurashiki Silk Textile Co., Ltd. (now Kuraray) in 1934 after graduating from university. Together with the company’s president, Ohara Soichiro, he supported Kurashiki’s urban development through architecture and continued to produce many works even after Ohara’s death.

While working at Kurashiki Rayon, he established the “Kurashiki Architectural Research Institute,” which was later renamed the “Urabe Architectural Design Office.”

He died in 1991 at the age of 82, but as of 2022, the firm continues as “Urabe Design Co., Ltd.,” designing buildings in Kurashiki and throughout Japan.

The main buildings designed by Urabe Shizutaro in Kurashiki, in chronological order, are as follows.

YearBuilding
1957Kurashiki Archaeological Museum (extension)
Ryokan Kurashiki (renovation)
1961Ohara Museum of Art (Annex)
1963Kurashiki Kokusai Hotel
1965Kurashiki Youth Hostel
1969Kurashiki Community Center
1972Kurashiki Civic Hall
1974Kurashiki Ivy Square
1975–81Kurashiki Central Hospital (expansion and renovation)
1980Kurashiki City Hall (Kurashiki City Office)
Kurashiki Station Front Redevelopment East and West Buildings

Concrete buildings designed to “harmonize” with the traditional townscape

Kurashiki Kokusai Hotel

All of Urabe Shizutaro’s buildings were constructed after the war.
In other words, they are neither traditional Edo-period buildings nor built using traditional construction methods.

The most obvious difference is that they are made of reinforced concrete (RC), not wood.

Although sometimes discussed as opposing approaches, Urabe Shizutaro is said to have valued above all else modern architecture that “harmonizes” with the traditional Edo-period townscape.

The unique measurement system, “KM (Kurashiki Module)”

Kurashiki Module at Kurashiki Kokusai Hotel

The buildings most representative of efforts to harmonize with Bikan Historical Area are probably the Ohara Museum of Art (Annex) and Kurashiki Kokusai Hotel.

They may look like modern “exposed concrete,” but have a distinctive shape that evokes a roof.

Urabe Shizutaro reportedly called this measurement system “KM (Kurashiki Module).”

[Closed] Ohara Museum of Art (Annex) — A museum embracing the present and supporting the pursuit of creativity
Kurashiki Kokusai Hotel — An elegant, long-established hotel carrying Kurashiki’s culture into the future

See Urabe Shizutaro’s buildings

Let’s take a look at some of the buildings designed by Urabe Shizutaro in central Kurashiki.

Some locations charge admission, but this article mainly introduces the exteriors, which can be viewed free of charge.

Kurashiki Archaeological Museum (extension)

Front of Kurashiki Archaeological Museum

Kurashiki Archaeological Museum, renovated from an Edo-period rice storehouse, was expanded to improve its function as a museum.

Kurashiki Archaeological Museum extension 2
Left: original building / center and right: extension

The original building on the left has namako-kabe walls with raised joints.

The area to the right of the central building is the extension.

You can see that the extension stands out clearly, with its shallow-jointed namako-kabe walls and pale-colored walls.

Exterior wall of the original Kurashiki Archaeological Museum building
Original building
Kurashiki Archaeological Museum extension 1
Extension

Although it was technically possible to reproduce the same namako-kabe walls as the original building, the new and old sections were deliberately distinguished so they could be told apart. Urabe Shizutaro reportedly explained the reason at the time: “It is harmony between the old and the new.”

Kurashiki Archaeological Museum — Exhibiting many artifacts from the Paleolithic period through ancient Kibi Province in an Edo-period rice storehouse
Kurashiki Archaeological Museum as architecture — Focusing on the harmony between the Edo-period wooden rice storehouse and the Showa-era reinforced-concrete extension (Kurashiki Architecture Travel, Vol. 1)

Ryokan Kurashiki

Front exterior of Ryokan Kurashiki

Ryokan Kurashiki was created by renovating the Kawahara residence, a sugar wholesaler’s home, for use as an inn.

Window at Ryokan Kurashiki

The exterior was left as it was, while the interior layout was changed.

Ryokan Kurashiki — Enjoying seasonal flavors along the colorful “Four Seasons Promenade”: a refined lunch at a historic inn

Ohara Museum of Art (Annex)

Front of the Ohara Museum of Art (Annex)

The Ohara Museum of Art (Annex) opened in 1961 as an art museum exhibiting modern Japanese Western-style paintings and contemporary art.

Perhaps even more striking than its appearance as an art museum is its exterior wall, which looks almost like a “castle wall.”

Storage facility of the Ohara Museum of Art (Annex)
Exterior wall of the Ohara Museum of Art (Annex)
Wall of the Ohara Museum of Art (Annex)

As of April 2022, the Ohara Museum of Art (Annex) is closed as a measure to prevent the spread of COVID-19.

The Main Building and the Crafts and Oriental Art Gallery are open.

[Closed] Ohara Museum of Art (Annex) — An art museum supporting the pursuit of creativity and moving with the times

Kurashiki Kokusai Hotel

Exterior of Kurashiki Kokusai Hotel 1

Located next to the Ohara Museum of Art (Annex), Kurashiki Kokusai Hotel is often the first thing visitors see when they arrive in Kurashiki by tour bus.

Ohara Soichiro is said to have remarked, “Every world-class city has a world-class hotel,” and this hotel embodies that vision, with a distinctive exterior to match.

Exterior of Kurashiki Kokusai Hotel 2
Kurashiki Module at Kurashiki Kokusai Hotel
Entrance to Kurashiki Kokusai Hotel

It is an architectural example in which the “KM (Kurashiki Module)” is strongly expressed.

Kurashiki Kokusai Hotel as architecture — A hotel in harmony with the Bikan Historical Area, where Ohara Soichiro’s concept lives on today (Kurashiki Architecture Journey Vol. 2)

Kurashiki Youth Hostel

Kurashiki Youth Hostel

Kurashiki Youth Hostel sits atop a low hill near the Bikan Historical Area.

Kurashiki Youth Hostel 3
Exterior wall of Kurashiki Youth Hostel

Its exterior resembles a compact version of Kurashiki Kokusai Hotel, and it is still available for use as a youth hostel.

Kurashiki Community Center

Kurashiki Community Center

Honmachi-dori, north of the Kurashiki River, is an area lined with traditional townhouses, and the building at its center is the Kurashiki Community Center.

In addition to meeting rooms, it has a large hall with 387 seats.

Kurashiki Community Center
Solid-looking door
White-plaster-style exterior wall
Lattice window

This building is right in the heart of the Bikan Historical Area, with white-plaster walls, small windows, and Kurashiki latticework.

In other words, it is clear that the building was designed with an appearance evocative of the Bikan Historical Area in mind.

Kurashiki Community Center as architecture — A public facility in harmony with the streetscape in the heart of the Bikan Historical Area (Kurashiki Architecture Journey Vol. 3)
Kurashiki City Kurashiki Community Center — A social education facility for residents in the heart of the Bikan Historical Area

Kurashiki Civic Hall

Kurashiki Civic Hall

This multipurpose hall is used as a hub for sharing local culture, hosting events such as the Kurashiki Concert, which ran through 2020.

I’m a fan of idol groups and have visited many halls, mainly in western Japan, but halls that have been open for more than 30 years tend to look much the same.

Front of Kurashiki Civic Hall

Kurashiki Civic Hall, however, has a stylish exterior with its red roof and doesn’t feel like it has been open for nearly 50 years.

Wall of Kurashiki Civic Hall 1
Wall of Kurashiki Civic Hall 2

The distinctive roof is said to feature overlapping sections that evoke a crane in flight, and Urabe Chintaro reportedly called it “a hall where cranes dance and play.”

Kurashiki Ivy Square

This facility was created by renovating the factory buildings of Kurashiki Spinning Mill into a hotel, restaurants, halls, and other spaces.

Main gate of Kurashiki Ivy Square

Its most distinctive features are undoubtedly the brick exterior and the plaza.

Brick wall at Kurashiki Ivy Square
Courtyard at Kurashiki Ivy Square
Interior of Kurashiki Ivy Square

After the renovation of Kurashiki Ivy Square, Urabe Chintaro’s architectural style changed significantly.

As of 2022, Kiyoshi Nishimura, president and representative director of Urabe Design Inc., described this in the book “The Work of Architect Chintaro Urabe” as follows.

A turning point in style, from “black and white” to “white and red”

Quoted from “The Work of Architect Chintaro Urabe”

Perhaps the “red of the bricks” made a strong impression on Urabe Chintaro.

Kurashiki Ivy Square as architecture: A tourism complex created by renovating the factory buildings of Kurashiki Spinning Mill (Kurashiki Architecture Journey Vol. 8)

Kurashiki Central Hospital Expansion and Renovation

Kurashiki Central Hospital 2

Kurashiki Central Hospital plays a central role in local healthcare and also serves as a designated medical institution under the Infectious Diseases Control Law in responding to COVID-19.

Kurashiki Central Hospital 3

It is a little way from the Bikan Historical Area, but anyone living in Kurashiki has probably seen the “hospital with the red roof.”

Kurashiki City Hall (Kurashiki City Office)

Kurashiki City Hall

When showing visitors from outside Okayama Prefecture around Kurashiki City, the building they often ask about is Kurashiki City Hall: “What’s that?”

The combination of a high-rise tower block and a low-rise block with striking red brick makes it an impressive building that hardly seems like a city hall.

Low-rise tower at Kurashiki City Office
Kurashiki City Office 4
Courtyard at Kurashiki City Office

Apparently, this was also a project that fulfilled Urabe Chintaro’s long-held wish.

Kurashiki City Office Main Building as architecture: A symbol of Kurashiki, with a tall tower and civic hall reflecting meticulous attention to detail (Kurashiki Architecture Journey Vol. 4)

From the Writer

I first learned about Urabe Chintaro while reporting on the Ohara Museum of Art in March 2019.

Ohara Museum of Art: Oriental and Craft Museum

Kurashiki Kokusai Hotel can be seen from the courtyard of the Ohara Museum of Art.

The white and red walls of the Crafts and Oriental Art Gallery catch the eye, but I heard that the hotel’s walls also incorporate a “namako-wall-style design,” so that the hotel would blend in when viewed from the Ohara Museum of Art.

I was amazed that they had thought of even such details, despite the buildings being completely separate. I was also moved by the fact that the Bikan Historical Area has in fact changed over time, and has been developed with “harmony” in mind.

Kurashiki’s modern architecture is fascinatingly rich in detail.

Be sure to take a closer look as you explore the city.

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Citizen writer who wrote this article
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Toi Kengo

Born in 1979, lives in Kurashiki City
Father of two

While working as a systems engineer, he also takes on various projects, including running a blog and organizing events.

He currently serves as the representative director of Haretoco General Incorporated Association, which operates this media outlet, while also working as a freelancer.

His motto is to enjoy the Bikan Historical Area himself while sharing information that makes people think, “I want to visit.”

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