“Kurashiki Community Center” as a Building ~ A Public Facility That Blends into the Streetscape in the Heart of the Bikan Historical Area (Kurashiki Architecture Journey Vol. 3)

Kurashiki Community Center

“Kurashiki Community Center” is on Honmachi Street, in the heart of Kurashiki’s Bikan Historical Area.

Generally speaking, a community center is a public facility used by local residents for meetings and other activities.

Yet this community center is in the heart of the Bikan Historical Area, which is also a famous tourist destination.

Some people are surprised by this, but it is also an excellent example of “harmony” between the old streetscape of the Edo period and a relatively modern building from the Showa era.

We must cherish old things. But that alone will cause a town to die. A town becomes vibrant when we continue to add the new qualities of each era.

These are the words of Ohara Soichiro, who laid the foundations for the Bikan Historical Area as it is today. The Kurashiki Culture Center, the predecessor of Kurashiki Community Center, was newly built in 1969 using reinforced concrete (RC).

When it was completed, the city library was next door, so it was named the “Kurashiki Culture Center.” In 1983, the library moved to its current location (2-chome, Chuo, Kurashiki City). The center was subsequently renamed “Kurashiki Community Center.”

This article examines “Kurashiki Community Center” as a work of architecture.

The information in this article was current when it was published in March 2022. Please note that it may differ from current information.

About Kurashiki Community Center

Exterior of Kurashiki Community Center

Kurashiki Community Center (formerly the Kurashiki Culture Center) opened on October 3, 1969.

The project is said to have been prompted by a donation of 10 million yen to Kurashiki City by Ohara Soichiro in 1953 to build a music library.

The architect who designed it was Shizutaro Urabe, an architect from Kurashiki. Ohara Soichiro, who was involved in the project, is said to have conveyed the following ideas to him:

  • “I’d like a design like the Ono family’s three-story storehouse.”
  • “How about including a music library?”

The “Ono family’s three-story storehouse” refers to the Ono family’s storehouse that stood on the site of Kurashiki Community Center.

The Ono family was reportedly encouraged to sell the property for use as the Kurashiki Post Office telephone exchange office site. The family moved in 1935, leaving only the three-story storehouse behind. It appears to have been demolished when the Kurashiki Post Office, completed in 1950, was built.

Reference: Walking Kurashiki Through Illustrated Maps, Compact Edition

The gently sloping, spacious “great roof,” the building’s most striking exterior feature, is said to have been designed in response to this request.

And the music library opened at the same time as the center in 1969.

Music library
Music library

The center strongly reflected the wishes of Ohara Soichiro, who deeply loved Kurashiki and classical music, but he died in 1968, before he could see the building and music library completed.

When completed, it was a new building in the Bikan Historical Area. More than 50 years have passed since then, and together with “Shin-Kojimakan (formerly the Chugoku Bank Kurashiki Honmachi Branch)” across the street, it has become a building that harmonizes with the area.

Here is a brief summary of the building’s history, including renovations.

YearDetails
1969Opened as “Kurashiki City Culture Center”
1983The library moved to its current location (2-chome, Chuo, Kurashiki City) in 1983 and became the Central Library.
Renamed “Kurashiki Community Center.”
1996Renovation work began in 1995 and was completed on February 29, 1997
2017Seismic reinforcement work began in December 2016 and was completed in March 2017
2022Renovation work on the main hall began in November 2021 and was completed in February 2022
History of Kurashiki Community Center

Its function as a public facility has remained largely unchanged since it opened.

Kurashiki City Kurashiki Community Center — A social education facility for residents in the very heart of the Bikan Historical Area

Modern architecture in the heart of the Bikan Historical Area

Foreground: Kurashiki Community Center; background: Shin-Kojimakan (provisional name)
Foreground: Kurashiki Community Center; background: Shin-Kojimakan (provisional name)

Kurashiki Community Center faces Honmachi Street, north of the Kurashiki River, where the Ohara Museum of Art and other attractions are located.

In recent years, utility poles have been moved underground, and many new businesses, including cafes in renovated traditional townhouses, have opened. The street is now bustling with people exploring on foot.

In other words, it is right in the middle of a tourist destination, and it is unusual for a public facility like a community center to be located in such a place.

However, I feel that this is what makes Kurashiki distinctive. I believe Kurashiki has become more appealing by not only “preserving” old things, but also incorporating new things and bringing them into harmony.

Honmachi Street

The street is lined with buildings you might not expect in a town known for its Edo-period storehouses and traditional townhouses, yet they do not feel out of place.

  • “Kurashiki latticework,” which would not normally be needed on a reinforced-concrete (RC) building
  • Tile cladding
  • Windows set back from the walls, and more

Throughout the building, you can sense the care taken to harmonize it with the streetscape.

Kurashiki lattice windows and tile cladding
Kurashiki lattice windows and tile cladding
Windows set back from the walls

The windows are particularly striking: from outside, they seem to be set far back.

“Perhaps they wanted to create a sense of depth and shadow,” said Jiro Kawamoto of Urabe Sekkei, the firm founded by Shizutaro Urabe.

Viewed from inside, the windows have a “protruding” section.

Window in the director’s office
Window in the director’s office
The windows look clean and simple from outside, but protrude on the inside
The windows look clean and simple from outside, but protrude on the inside

This design required extra work during construction, and the protrusions can be inconvenient for users. It seems they were made this way to prioritize the view of the building from outside.

The “great roof,” evoking a large storehouse

The “great roof” of Kurashiki Community Center

Perhaps the most striking feature of Kurashiki Community Center’s exterior is its “great roof.”

The great roof, inspired by the former “Ono family’s three-story storehouse,” is said to have replaced the “wall eaves” developed by Shizutaro Urabe and subsequently become a feature used extensively in Urabe’s architecture.

“Wall eaves” at Kurashiki Kokusai Hotel
“Wall eaves” at Kurashiki Kokusai Hotel

The symbol mark commemorating the centenary of the Meiji era

When you look at Kurashiki Community Center from outside, a mysterious symbol mark catches your eye.

Symbol mark commemorating the centenary of the Meiji era

Can you tell what it is?

It may seem to have something to do with Kurashiki City or the Bikan Historical Area, but it is the “symbol mark commemorating the centenary of the Meiji era.”

It was reportedly created as part of events marking the “centenary of the Meiji era,” and the symbol mark was commonly seen at the time.

The centenary of the Meiji era was in 1968.

Kurashiki Community Center opened the following year, in 1969, and the mark may have been adopted by Shizutaro Urabe because he saw it frequently while the building was being designed and constructed.

The “symbol mark commemorating the centenary of the Meiji era” is also depicted in the main hall.

“Symbol mark commemorating the centenary of the Meiji era” in the main hall
“Symbol mark commemorating the centenary of the Meiji era” in the main hall

The building’s interior

Next, let’s go inside the building.

Kurashiki Community Center is a public facility, so in principle anyone can enter and use it, whether they are tourists or local residents.

However, it is primarily used for room rentals, so you cannot enter rooms that are in use.

A substantial-looking door

1st Floor

Lobby
Lobby

The lobby has plenty of notices posted, as you would expect at a community center, but the stairs and lighting are so refined that it doesn’t feel like one.

The floor is said to be made from stone sourced in Okayama Prefecture (the Kasaoka Islands’ “Kitagi-shima Island” is famous as an island of stone, but it is unclear whether the stone came from Kitagi-shima).

The light fixtures have not changed since the building was constructed
The light fixtures have not changed since the building was constructed
Even the meeting room doors are stately
Even the meeting room doors are stately
Lounge
Newspapers and books are available to read (generally open at all times except on closing days)
Lounge
Newspapers and books are available to read (generally open at all times except on closing days)
Shin-Kojimakan (provisional name) can be seen from the lounge window
Shin-Kojimakan (provisional name) can be seen from the lounge window
The glass and locks are still the originals
The glass and locks are still the originals
Japanese-style room
Japanese-style room
The shoji screens in the Japanese-style room
The shoji screens in the Japanese-style room

When they saw these shoji screens, the person from Urabe Design who was showing us around remarked, “I see!” Do you know what they noticed?

Care was taken so that the seams between the shoji screens cannot be seen from outside
Care was taken so that the seams between the shoji screens cannot be seen from outside
The seams are invisible when the shoji screens are viewed from outside
The seams are invisible when the shoji screens are viewed from outside

The spaces between the outer windows were deliberately made wider so that the seams between the shoji screens could not be seen from outside.

2nd Floor

Next, we head up to the second floor.

The stair handrail is also made of brass, and has gained character over time.

The handrail is secured using custom-made fittings
The handrail is secured using custom-made fittings
Window in the second-floor lobby
Window in the second-floor lobby
The second-floor windows also have latticework
The second-floor windows also have latticework
The second-floor lobby has an open ceiling
The second-floor lobby has an open ceiling
The fastener for Meeting Room 3 hooks directly onto the wall
The fastener for Meeting Room 3 hooks directly onto the wall
Fastener
Fastener

3rd Floor

We head up to the top floor, the third floor.

The staircase has a nostalgic feel
The staircase has a nostalgic feel

You could say it’s “just a staircase,” but don’t you think it has a lovely atmosphere?

I tried taking a photo from a different angle.

It has a somewhat artistic feel
It has a somewhat artistic feel

I feel that gaining character over the years is a hallmark of Urabe architecture.

Third-floor ceiling and lighting
Third-floor ceiling and lighting
Third-floor lobby
Third-floor lobby
Atrium
Atrium

When we entered Meeting Room 4 and opened the curtains, everyone exclaimed, “Wow!”

When the curtains in Meeting Room 4 were opened
When the curtains in Meeting Room 4 were opened

Can you tell what it is?

With all the curtains open
With all the curtains open

It is the “Meiji Centennial Commemorative Symbol.” This is what could be seen from outside.

Symbol marking the centenary of the Meiji era
Meeting Room 4
Meeting Room 4

It was not something I had often done, to focus on the “community center building,” but looking closely, I noticed the many thoughtful details.

In the second half of the article, I’ll introduce some things that caught my attention and details I’d like you to notice as I looked around inside the building.

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Citizen writer who wrote this article
Toi profile
Toi Kengo

Born in 1979, lives in Kurashiki City
Father of two

While working as a systems engineer, he also takes on various projects, including running a blog and organizing events.

He currently serves as the representative director of Haretoco General Incorporated Association, which operates this media outlet, while also working as a freelancer.

His motto is to enjoy the Bikan Historical Area himself while sharing information that makes people think, “I want to visit.”

The team works together to run this site so that it can become a trusted web media outlet.

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